|James Carpenter as Mitch challenges daughter Annie (Martha Brigham, right) as Angela (Emilie Talbot, second fron left) and Macy (Emily Radosevich) listen. (Photo by Jennifer Reiley)|
A family’s pain is raw and visceral in Ashlin Halfnight’s “The Resting Place,” being given its world premiere by Magic Theatre.
Mitch (James Carpenter) and Angela (Emilie Talbot) have been joined in Detroit by their adult daughters, Annie (Martha Brigham), who works for an environmental group in San Francisco, and Macy (Emily Radosevich), who works on political campaigns in New York City.
Their reunion is not happy. Travis, oldest of the siblings, has just committed suicide.
He was a gay man, teacher and longtime pedophile who victimized local boys.
Annie wants him to have a funeral and burial in the family plot in the Catholic cemetery next to his beloved paternal grandfather. The rest of the family, concerned about the angry uprising over his actions, wants to cremate him and quietly scatter his ashes.
As the play continues, the issues go much deeper, leading to angry shouting matches, blame and feelings of guilt on top of profound grief. Nevertheless, familial love is palpable.
Also involved are Travis’s former partner, Liam (Wiley Naman Strasser), and one of Travis’s victims, Charles (Andrew LeBuhn), now a recent high school graduate.
The final scene is especially wrenching as Annie delivers an eloquent eulogy and reveals her own reason for feeling guilty.
Sensitively directed by Jessica Holt, the six actors carefully navigate the play’s ups and downs.
Carpenter’s Mitch is the voice of reason as conflicts arise, but he has moments of extreme emotion. Talbot’s Angela drinks too much, but she, too, can be both reasonable and highly upset.
The sisters, Brigham as Annie and Radosevich as Macy, sometimes clash, especially when Macy calls the take-charge Annie self-righteous.
Both Strasser as Liam and LeBuhn as Charles are believable in their pain.
Design elements are outstanding with the set by Edward T. Morris, costumes by Shelby-Lio Feeney, lighting by Wen-Ling Liao and sound by Sara Huddleston.
According to artistic director Loretta Greco, the play “investigates what happens to those who are left behind in the wake of unimaginable tragedy.”
Despite the difficult subject matter, it’s a brilliant, absorbing, utterly human play that doesn’t skirt the issues. This profound work of art is worth seeing.
Running about two hours with one intermission, “The Resting Place” will continue through Nov. 4 at Magic Theatre, Fort Mason Center, 2 Marina Blvd., Building D, third floor, San Francisco.
For tickets and information, call (415) 441-8822 or visit www.magictheatre.org.