Amneris (Caitlin McGinty, left), sings with Aida (Raquel Nicole Jeté) and Radames (Shaun Leslie Thomas). |
In this case, though, John’s music, with lyrics by Rice,
is mostly rock with some echoes of gospel.
Set in Egypt, it tells of the Nubian princess, Aida
(Raquel Nicole Jeté), captured by Radames (Shaun Leslie Thomas), an Egyptian
general.
He and his troops take her and her countrymen to
Egypt to be slaves. The Egyptians don’t know she’s a princess.
Her spirit and her refusal to be intimidated lead
him to spare her from the death that the others might face and to give her to
his fiancée of nine years, Princess Amneris (Caitlin McGinty).
Despite the difference in their stations, their mutual
attraction grows stronger. Soon circumstances demand that she must choose
between him and her father. Tragedy ensues.
An interesting aspect of the book by Linda
Wolverton, Robert Falls and David Henry Hwang is Amneris’s transformation from
vanity (“My Strongest Suit”) to compassion (“I Know the Truth”).
The stately McGinty is terrific and believable in
this role. She’s also the show’s best singer.
This is not to slight the singing or the regal
bearing of Jeté as Aida. Thomas as Radames also does well.
Directed by Jasen Jeffrey, supporting characters are
well played, especially by Montel Anthony Nord as Mereb, Radames’ Nubian slave,
and Benjamin Ball as Zoser, Radames’ father.
The outstanding choreography, expertly danced by the
10-member ensemble, is by Nicole Helfer. Music director Alicia Jeffrey conducts
the orchestra from the keyboard.
The colorful costumes are by Merissa Mann with the
set by Mark Mendelson and lighting by Michael Oesch. Overly loud sound by Zak
Stamps distorts lyrics.
Otherwise, it’s an enjoyable, well done production.
Running about two hours and 45 minutes with one
intermission, it will continue through Nov. 18 at the Fox Theater, 2215
Broadway St., Redwood City.
For tickets and information, call (650) 579-5565 or
visit www.broadwaybythebay.org.
Photo by Mark & Tracy Photography
Photo by Mark & Tracy Photography